Monday, May 12, 2008
it makes sense in my head
You are not allowed to be weak because you do not make allowances for weaknesses (in yourself).
Tuesday, April 29, 2008
when the words fall away
I hate everything I write; I especially hate it after reading a particularly good fic or piece of fiction. Nothing I write has a point. There should be themes, interpretation, parallels--something. Something beyond a random slice-of-life; if the slice-of-life is demonstrating a particular sentiment or illustrating a certain point, that's different. But I hate everything I write because nothing I write has a point. I can never find the write words to express the things I'd like to express, or I use pretty language in the shallowest of ways to describe things in a vaguely literary manner--except still without a point. I have too many loose ends and irrelevant details, emotions that escape at the edges and aren't properly directed or reshaped by the end of the story. My humor is contrived and not that funny.
I can't write length and I can't write plot.
What kind of writer am I?
I can't write length and I can't write plot.
What kind of writer am I?
Friday, April 25, 2008
我需要的人
I play mom and older sister and sempai to a whole host of people in real life and in fandom. I like it. I love these people and I love helping them and supporting them and giving (hopefully good) advice in any way I can--but sometimes I wish I had a 姐姐 or a 哥哥 to lean on. I suppose I know a fair number of people older than me through fandom, but we aren't close enough for me to rely on them. And, in real life, I don't have many people/friends who are older than me. Maybe it's my faulty psyche--I want to lean on someone and for them to give me advice, but I'm not capable of being that kind of dependent person. I have enough trouble telling people when I'm seriously upset... It's a paradox: I want to have someone to support and guide me, and yet I feel incapable of burdening people with my woes and seeking advice.
I know I'm strong. I strive to be. But sometimes all I want to cry and lean on someone else. I just don't know if I'm capable of taking your hand if you offer it.
I know I'm strong. I strive to be. But sometimes all I want to cry and lean on someone else. I just don't know if I'm capable of taking your hand if you offer it.
Wednesday, April 16, 2008
two sides of the sun
In class today, my English professor eloquently described our campus as having "lawns that have sprouted people". With the nice weather, people have emerged out of nowhere onto our quad, sometimes alone, sometimes in groups of two or five. They lie out under the sun, baring arms and legs (and sometimes backs) to the warm golden rays, diverting themselves with laughter and talk. I walk past them, those bright spots of color--red, blue, yellow, white--against the green grass, and I think how different are my cultures. (Then I take a moment to dwell on what I call "mine", but I think I can justify this to myself, or save it for another time.)
What do I mean?
I walk through the quad, weaving past people in t-shirts and shorts, and think about how different this scene would be China. Putting aside the fact that there are few areas of unspoiled lawn (even in parks), the people in China are not nearly so welcoming of the sun. Women and men alike don hats and hold intricately designed umbrellas (parasols?) to ward off the heavy, cancerous rays. They shy away from the light and the suffocating heat, exactly opposite of the people strewn across my campus, who turn their faces up in welcome to the sky.
Girls in China* are always dressed with effort: every eye not their own is part of the audience they display their style to, on the streets and in the malls and throughout the city. Even their casual clothes involve intricte outfits and designs on their shirts and on their jeans. The sneakers are also trendy, and those are only worn when they're not tripping through crowds in platform sandals or strappy heels. Over their heads, these girls wave pretty umbrellas (that sport flowers or lace or both) that match their outfits, shading them from the sun as they walk down the street.
(Wearing my solid-colored top and simple, undecorated jeans--so everyday and basic in the States--made me self-conscious in China, because I felt so very plain. And my borrowed lavendar-tinted umbrella unfortunately clashed with my green-and-blue clothes. I felt un-Asian, a failure in my own culture.)
So different are these cultures, I think as I walk across my campus. (Are they both mine?) Which do I prefer?
*disclaimer: in urban China, not rural; in comparisons that can be drawn to CH or universities in general
What do I mean?
I walk through the quad, weaving past people in t-shirts and shorts, and think about how different this scene would be China. Putting aside the fact that there are few areas of unspoiled lawn (even in parks), the people in China are not nearly so welcoming of the sun. Women and men alike don hats and hold intricately designed umbrellas (parasols?) to ward off the heavy, cancerous rays. They shy away from the light and the suffocating heat, exactly opposite of the people strewn across my campus, who turn their faces up in welcome to the sky.
Girls in China* are always dressed with effort: every eye not their own is part of the audience they display their style to, on the streets and in the malls and throughout the city. Even their casual clothes involve intricte outfits and designs on their shirts and on their jeans. The sneakers are also trendy, and those are only worn when they're not tripping through crowds in platform sandals or strappy heels. Over their heads, these girls wave pretty umbrellas (that sport flowers or lace or both) that match their outfits, shading them from the sun as they walk down the street.
(Wearing my solid-colored top and simple, undecorated jeans--so everyday and basic in the States--made me self-conscious in China, because I felt so very plain. And my borrowed lavendar-tinted umbrella unfortunately clashed with my green-and-blue clothes. I felt un-Asian, a failure in my own culture.)
So different are these cultures, I think as I walk across my campus. (Are they both mine?) Which do I prefer?
*disclaimer: in urban China, not rural; in comparisons that can be drawn to CH or universities in general
Monday, March 24, 2008
if you write about writers, who will write about you?
Today in my Intro to Fiction class, we discussed The Hours by Michael Cunningham, where he fictionalizes a part of Virginia Woolf's life. This brought on a meta discussion about the morality (as well as other literary problems) involved in writing fiction about a real person's life. Why would you choose to do this? How accurate does it need to be? Are there problems in presuming their thoughts and feelings; what kind of liberties are taken?
Questions that also struck me that I hope to bring up next class (or privately with the professor): Is there a difference between writing a fictional account of a historical (i.e., dead) figure and someone who is currently alive? What kind of permission do you have to seek? Is there a certain length of time that needs to pass before the person's life becomes public property much in the way literature copyrights expire?
Then there's the entire idea of writing fiction about fictional characters. I would love her opinion on this. They call it "derivative fiction" when they can get it published, all those awful works based off Pride and Prejudice (Mr. Darcy's Diary, Mr. Darcy Takes a Wife, etc.; what is this crap?) or The Wizard of Oz (oh Wicked). How legitimate is this? How are the morals involved here different from writing about real people (historical or present)?
I have no problem with any of this. Honestly, the thing about writing is that no one can stop you from writing whatever you want. The only thing people can restrict is the distribution of your writing--they can say who can or cannot read your writing, but they can't stop you from writing it.
So write it.
Questions that also struck me that I hope to bring up next class (or privately with the professor): Is there a difference between writing a fictional account of a historical (i.e., dead) figure and someone who is currently alive? What kind of permission do you have to seek? Is there a certain length of time that needs to pass before the person's life becomes public property much in the way literature copyrights expire?
Then there's the entire idea of writing fiction about fictional characters. I would love her opinion on this. They call it "derivative fiction" when they can get it published, all those awful works based off Pride and Prejudice (Mr. Darcy's Diary, Mr. Darcy Takes a Wife, etc.; what is this crap?) or The Wizard of Oz (oh Wicked). How legitimate is this? How are the morals involved here different from writing about real people (historical or present)?
I have no problem with any of this. Honestly, the thing about writing is that no one can stop you from writing whatever you want. The only thing people can restrict is the distribution of your writing--they can say who can or cannot read your writing, but they can't stop you from writing it.
So write it.
Sunday, March 16, 2008
for all time, you are my everything
You're the breath of life in me
the only one that sets me free
Spring Break ends today and it's back to classes and routine (nose to grindstone) again tomorrow. I know I'll be able to readjust fairly quickly, but right now it's so hard to want to face everything again, when the past week has been so full of lovely things like sleep, Chinese food, writing, random drinks with A, time. Life goes on, though, and we move with it. I'm just in a vaguely nostalgic, vaguely pensive mood, one that borders on unhappiness (except I wouldn't go that far). It, too, shall pass.
I'm listening to this song on repeat. It's a pretty good rip of a fancam from a concert featuring D (a Korean star) singing 98 Degrees' My Everything. His English is coherent, clear, understandable, and the entire performance moved me to tears when I first watched it. This song is a tribute to his late father, apparently with images playing in a slideshow behind him as he sang. The very concept is touching, but to hear him sing it is just so much more-- It kind of breaks my heart.
the only one that sets me free
Spring Break ends today and it's back to classes and routine (nose to grindstone) again tomorrow. I know I'll be able to readjust fairly quickly, but right now it's so hard to want to face everything again, when the past week has been so full of lovely things like sleep, Chinese food, writing, random drinks with A, time. Life goes on, though, and we move with it. I'm just in a vaguely nostalgic, vaguely pensive mood, one that borders on unhappiness (except I wouldn't go that far). It, too, shall pass.
I'm listening to this song on repeat. It's a pretty good rip of a fancam from a concert featuring D (a Korean star) singing 98 Degrees' My Everything. His English is coherent, clear, understandable, and the entire performance moved me to tears when I first watched it. This song is a tribute to his late father, apparently with images playing in a slideshow behind him as he sang. The very concept is touching, but to hear him sing it is just so much more-- It kind of breaks my heart.
Thursday, March 6, 2008
in memory, we emerge from the fear and the tears
It was Eve.
It wasn't just anyone, it was Eve.
Eve Carson was our student body president this year and yesterday morning around 5am, a 911 call alerted the police to her body at a community not far off campus. She was lying in the intersection, shot. She was identified this morning at the hospital and her name was released to the public at 12:30 this afternoon at a press conference.
No one knows if it was a random incident or if she was targeted. All we know right now is that she was murdered.
I didn't even know Eve. I've never met her. But I've passed h on campus, I've seen her picture in our campus newspaper; I knew people who knew her, I knew her policies and her friendliness through other people. She was real to me, to the entire campus and city of Chapel Hill.
This time, the shooting victim wasn't just a twenty-something college female. This time it was Eve--Eve, who was someone to everyone. Her death doesn't just affect her family and her friends and the people who knew her. Her death affects the entire UNC campus and the city of Chapel Hill because she was such a public figure, so engaged.
This is the closest death has ever struck for me and it's terrifying. It's incomprehensible and unfair and random and frightening. In the March (again, March) of my freshman year, a crazed graduate student drove his car across the most crowded area of campus during lunchtime and hit five or six people. About nine people were injured but hundreds were left shaking, afraid. Sarah was almost hit that day. She was terrified; I was terrified--but no one died then.
This brings home to me how truly tragic the shooting last April at Virginia Tech must have been. Multiple this feeling of shock, loss, fear by thirty-three.
For me, just one--just this one--is enough to bring tears to my eyes.
It was Eve.
It wasn't just anyone, it was Eve.
Eve Carson was our student body president this year and yesterday morning around 5am, a 911 call alerted the police to her body at a community not far off campus. She was lying in the intersection, shot. She was identified this morning at the hospital and her name was released to the public at 12:30 this afternoon at a press conference.
No one knows if it was a random incident or if she was targeted. All we know right now is that she was murdered.
I didn't even know Eve. I've never met her. But I've passed h on campus, I've seen her picture in our campus newspaper; I knew people who knew her, I knew her policies and her friendliness through other people. She was real to me, to the entire campus and city of Chapel Hill.
This time, the shooting victim wasn't just a twenty-something college female. This time it was Eve--Eve, who was someone to everyone. Her death doesn't just affect her family and her friends and the people who knew her. Her death affects the entire UNC campus and the city of Chapel Hill because she was such a public figure, so engaged.
This is the closest death has ever struck for me and it's terrifying. It's incomprehensible and unfair and random and frightening. In the March (again, March) of my freshman year, a crazed graduate student drove his car across the most crowded area of campus during lunchtime and hit five or six people. About nine people were injured but hundreds were left shaking, afraid. Sarah was almost hit that day. She was terrified; I was terrified--but no one died then.
This brings home to me how truly tragic the shooting last April at Virginia Tech must have been. Multiple this feeling of shock, loss, fear by thirty-three.
For me, just one--just this one--is enough to bring tears to my eyes.
It was Eve.
Wednesday, February 27, 2008
faith: finding, losing, searching, waiting
I was raised in a Christian household--Protestant, though non-demoninational. I grew up in church and for a period in my life--middle school and high school--I attended a small Chinese church (CBCNC ♥) that introduced me to people I grew to love. I was the closest then to God, thanks in part to my youth group--and I still love those people now. A lot of us have drifted away from God now that we're in college, but we all matter to each other in ways that is somehow hard to define, that is somehow different from the way other friends are close to us.
I miss God a lot of times. I miss praying, miss having faith. But part of me just doesn't think I believe the same God I used to--I still believe in a higher being, but it's not the same God that Christianity knows. Maybe I'm just too weak to give up my vices and my material wants to be able to fully put my faith in Him, to give my all to Him, I don't know. I'm always at a loss when people ask me what I believe in, or if I believe, or if I'm Christian.
People have asked me before, "Would you be happier if you did believe?" I don't know how to answer that, not entirely. I believe I would be happier, but my faith would not be in the God the world knows through religion. I don't do religion; I don't like it. It's a man-made structure and faith should be a personal relationship.
This is still something I'm working on. It doesn't occupy all my thoughts all the time, but there are times when everything is falling apart and I'm left wishing I had someone greater than all this to rely on. Or sometimes I see my friends, T or S, who believe, and wish I had the same passion. I wonder if I'll ever find an answer.
I miss God a lot of times. I miss praying, miss having faith. But part of me just doesn't think I believe the same God I used to--I still believe in a higher being, but it's not the same God that Christianity knows. Maybe I'm just too weak to give up my vices and my material wants to be able to fully put my faith in Him, to give my all to Him, I don't know. I'm always at a loss when people ask me what I believe in, or if I believe, or if I'm Christian.
People have asked me before, "Would you be happier if you did believe?" I don't know how to answer that, not entirely. I believe I would be happier, but my faith would not be in the God the world knows through religion. I don't do religion; I don't like it. It's a man-made structure and faith should be a personal relationship.
This is still something I'm working on. It doesn't occupy all my thoughts all the time, but there are times when everything is falling apart and I'm left wishing I had someone greater than all this to rely on. Or sometimes I see my friends, T or S, who believe, and wish I had the same passion. I wonder if I'll ever find an answer.
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